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The Little Prince

The Washington National Opera

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Michelle's
   Press

Michelle's
   Press

" Mezzo-soprano Michelle Mariposa made a big impression as the Fox who teaches the Little Prince what it means to tame (and by extension, to love) and helps him understand the story's great secret of life: "One sees clearly only with the heart. What is essential is invisible to the eyes." Mariposa's clear, plummy mezzo and tender delivery of some of the most philosophical lines of the story, as well as her spirited stage presence, stole the show during her scene."

- Parterre Box

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" Mezzo-soprano Michelle Mariposa as The Fox delivered another standout aria. "Taming means you make a link" was truly a highlight for sure."

- Broadway World

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" As the Fox, mezzo-soprano Michelle Mariposa showed equal parts vocal and physical agility, her fluidity of movement complementing her glowing aria explaining to the Prince the process of taming an animal."

- Washington Classical Review

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Madama Butterfly

The Glimmerglass Festival

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" Michelle Mariposa, as Suzuki, excelled as an actor with a warm voice perfectly suited to the ensembles throughout. Amazingly, Ms. Mariposa (her surname translates as “butterfly” in Spanish!) also sang the leading role of Dorabella in the new Così production, which taps very different vocal resources."

- Mosaic of the Air

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" Praise, also, for mezzo Michelle Mariposa, as Cio-Cio San’s maidservant Suzuki, a role that calls for much in the way of support and not much in the way of flash."

- Words and Music

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" Suzuki was sung by Filipino soprano Michelle Mariposa, soon to perform Suzuki at the Washington National Opera. In the harsh acoustic of the 900-seat Alice Busch Opera Theater (1987) she managed to project a voice of beauty and power. She unleashed her feelings in Butterfly’s third act, evincing outrage far more than sorrow."

- Opera Today

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" Michelle Mariposa is Suzuki, companion and lady-in-waiting, rendering a heartfelt character who worries and prays, watching what she knows in her heart to be a tragedy unfolding. The famous Flower Duet is especially moving."

- DC Theater Arts

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" Filipino-Chinese mezzo-soprano Michelle Mariposa brought out Suzuki’s warmth, nobility and humanity as she stoically stood beside Cio-Cio-San. Her vibrant, open sound conveyed deep feeling and contrasted beautifully with Nakamura’s more silvery voice…"

- Seen and Heard International

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The Legacy of Maestra Rosal

Manila Symphony Orchestra

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"Michelle Mariposa's voice is sexy, with a touch of childishness, but never immature. It's a hard balance, and she pulled it off. This unique mix works entirely in her favor, making her portrayal feel incredibly authentic, magnetic, and effortlessly charming. Her lower register had a warmth to it that made her scenes with Don Jose feel more dangerous than sweet, which is exactly the point of the character. "

- Medium

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"What I particularly admired about Michelle Mariposa’s portrayal of Carmen was her ability to convey the character's changing moods and emotions through her voice. Her singing was detailed and precise, with even the runs articulated clearly. Her clean diction and pronunciation were especially effective in the Tagalog translation, while her naturally rich, round mezzo-soprano voice projected with ease. She brought compelling dramatic energy to every moment of her portrayal, remaining engaging even during passages when she was not singing. "

- Erma Dianne Music Journal

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"The highlight of the night was mezzo-soprano Michelle Mariposa…
Mariposa's voice is an absolute accomplishment…every element of what makes a good voice was present within hers. Mariposa greatly embodied and expressed sheer sultry power in her performance as Carmen."

- Collegium Perulae Orientis

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"Michelle Mariposa brought to life the fierce heroine of Georges Bizet’s ”Carmen.” Mariposa did not simply take the spotlight, she owned the stage. The mezzo-soprano lead delivered an exceptional performance in the opera’s namesake role. Her resonant vocals and precise diction moved the audience, effectively conveying the emotional weight of each piece."

-ABS-CBN News

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Così fan tutte

The Glimmerglass Festival

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" Mezzo Michelle Mariposa’s pert Dorabella softened eloquently in her Act 2 duet with Guglielmo."

- Wall Street Journal

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" Michelle Mariposa, as the “looser” sister Dorabella, was outstanding in “Smanie implacabili” in Act I. Mariposa, who was absolutely perfect, also appeared this season as Suzuki in Madame Butterfly: a challenging juxtaposition of roles."

- Mosaic of the Air

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" As Dorabella, mezzo-soprano Michelle Mariposa had a ringing bell midrange of uncommon clarity and power that still boasted pliant versatility. Her feel for the role was particularly sensitive, including a delightful detail of continuing to chant the college fight song even through tears at Ferrando's"injury." It was also a remarkable transformation from the night before, when Mariposa lent that memorable voice to a worldly-wise, world-weary maid Suzuki in Giacomo Puccini's tragic melodrama "Madama Butterfly"

- Berkshire Eagle

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" Mezzo Michelle Mariposa has a beautiful voice with some superb low-notes that are a vocal marvel."

- Reviews and Views

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" As Dorabella, Michelle Mariposa displayed a remarkably clear, inviting mezzo-soprano voice and embraced the role’s melodrama, balancing it with charm and innocence."

- Seen and Heard International

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" The singing from this youngish cast posing as coeds — Amanda Batista, Michelle Mariposa, Travon Walker, and Gregory Feldmann — is fresh and delightful."

- DC Theater Arts

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Il Trittico

The Washington National Opera

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" …a delightful trio with…the La Ciesca of Michelle Mariposa, who also made a stern Suora Zelatrice in Suor Angelica."

- Washington Classical Review

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" The mezzo-soprano MIchelle Mariposa, a 2025 winner of the Laffont Competition at the Metropolitan Opera, had the evening's most jaw-dropping instrument, with a plummy tone, easy resonance and effortless carrying power as the Monitress in "Angelica."

- The New York Times

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" Michelle Mariposa…again gave notice that she’s a rising mezzo to watch as La suora zelatrice and La Ciesca."

- Parterre Box

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" Michelle Mariposa’s rich, bright mezzo made her an effectively severe supervising nun of the Suor Angelica Convent."

- Parterre Box

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The Crucible

The Washington National Opera

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" Mezzo-soprano Michelle Mariposa portrayed a sympathetic Rebecca Nurse, one of the oldest women accused of witchcraft, her sweet, gentle tone turning steely when facing her fate."

- Parterre Box

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" Her [Rebecca Nurse] aria about waiting and trusting, sung with incredible genuineness by Michelle Mariposa, couldn’t help but stand out even when one knows what is going to happen."

- Opera Today

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" As truth-telling victims, mezzo Michelle Mariposa was staunch and gentle as Rebecca Nurse…"

- Wall Street Journal

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" Michelle Mariposa gave nobility to her Rebecca Nurse. "

- OperaWire

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" Another character who chose honor over clemency was [Rebecca Nurse], sung beautifully by mezzo-soprano Michelle Mariposa with a voice so lovely, I wished her part had kept her on the stage more. "

- OperaGene

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" Filipina mezzo-soprano Michelle Mariposa stunned an intimate audience in a tertulia, a song recital, at the Pastor Art Center. The singer disclosed both the lyrical,…and dramatic sheen of her mezzo. At once, the velvety sheen of her well-placed, resonant voice that filled the hall endeared her to listeners. "

- The Diarist

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Tertulia: An Intimate Afternoon of Music

The Pastor Ancestral Home

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American Opera Initiative

The Washington National Opera

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" Mariposa’s assured and funny performance overall might have been my personal favorite of the evening."

- OperaGene

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